Deciphering Lady Gaga and Ricky Martin Through Essentialism and Constructionism
Lately, I seem to be obsessed with deciphering queer celebrities through a queer/race scope. For my last, let’s say, “controversial” blog, I talked about celebrities coming out only when the height of their careers were ended a good while ago. After learning more, I changed my opinions about this subject and displayed my learning on the Final Paper, I do see now that mainstream society is sort of a “culprit” in destructing the sexuality of celebrities when they “sense” that their sexual orientation is other than heterosexual.
For this “Arts” blog, I took the essentialism/constructionism dynamic that we discussed in class and applied it to Ricky Martin and Lady Gaga. The essentialism/constructionism dynamic can get a bit complicated at times, so I tried my best with my understanding of the topic. I think this dynamic is imperative to see queer and race intersect and, from what I learned and observed, I think that the queer community prefers to be seen on the essential spectrum rather than construction because essentialism identifies them as individual people and not categorized and shoved in to a “group” with other people. I think that is a reason as to why the queer community stands out as unique, which is something I highly appreciate.
Please click the link below to see my “artsy” piece.
**Note: The fonts express a tone for each side. Such as for “Constructionism” the font is all bold because of the monotonous categorizing that must take place for this paradigm. In the same note, “Essentialism” is typed in different, unique font to represent the specific identity of an individual, which goes along with that paradigm. **
**ALSO: You guys should be able to see the document, but if for some weird reason you can’t, please don’t hesitate to let me know, PLEASE! Thanks!**